Tuesday, November 11

Hoverflies Art: Metamorphosis of the Rat-tailed fly

Metamorphosis of the Rat-tailed fly (Eristalis tenax)

Following on from my historical art article named ‘Volucellae and Bees’ I have found another piece of art illustrating hoverflies, which I wanted to share.

This is from a French book by Emile Blanchard titled ‘Metamorphoses, mœurs et instincts des insects (Insectes, myriapodes, ararchines, crustaces)’ Published: Paris, G. Baillière: in 1868, although I have only seen the 2nd edition published in 1877.

Metamorphosis in insects is the book’s subject matter written 24 years before Beddard’s book on mimicry called Animal coloration. As I do not read French the starting point for my interest was the English version of the book, but I did use translation software to read Blanchard’s original text about Syrphidae which was fascinating.

Etching showing the Common Drone fly named here L'Eristale Glaunt by Louis Royner

E. Blanchard’s book was adapted for English readers by P. M. Duncan F.R.S titled ‘The transformations (or metamorphoses) of insects: (Insecta, Myriapoda, Arachnida, and Crustacea.)’ and is a compilation of works from other scientists of the era George Newport, Charles Darwin but mainly the work of E.Blanchard.  Publication/Creation: London, Cassell Petter & Galpin, 1882.

I have extracted from the book one plate called the ‘Metamorphoses of a rat-tailed fly’ which I would like to discuss in more detail.

The etching above is of a Common Dronefly (Eristalis tenax). The illustrator of this art is Louis Rouyer (interestingly his name was removed from the English adapted version of the book.) and the title changed from Metamorphoses De L’Eristale Gluant which translates as ‘the Slimy Eristalis’ to ‘The Metamorphoses of the Rat-tailed Fly’, thankfully neither name used today.

The illustration shows three adults and three larvae. The adults of the Common Dronefly have a loop on one of the veins in the wing, as in the picture below. The adult I have most difficulty in determining if there is a loop in the wing is the one by the pool, although its size, colouration and form would suggest it is a replication of the same specimen that is airborne and the one drying itself on the wooden post sticking out of the pool. The reason for looking for this vein is to determine how accurate the etching might be, this loop in the wing is clearer on the P.M.Duncan version below rather than the imprint above.

Typical wing of a Tapered Dronefly (Eristalis pertinax) but the loop is the same on a Common Dronefly

Diagram 1: Typical wing of a Tapered Dronefly (Eristalis pertinax) but the loop is the same on a Common Dronefly.

The one sitting on the wooden post looks to be male as there is no gapping between the eyes. The adult flying, and the one on the ground, are potentially female as there is a gap between the eyes. Each adult is depicted as a black fly with no obvious markings on the abdomen, except from the one in flight which has a lighter colouration on tergite 2, the section of abdomen closest to the thorax. These markings on tergite 2 are typical of a Common Dronefly.

In the pool are three larvae with long tails, often referred to in books as rat-tailed maggots and thus the emerging adults referred to here as rat-tailed flies. This name for the adult is thankfully no longer used, although the generic name is still used for all larva with such long tails. The pool is shallow and full of decomposing leaf litter that may have fallen off the Willow tree central and to the left of picture. The wooden post is at an angle rather than upright, depicting to me that this pool is unmanaged and the post therefore left to rot. It gives the image of a place forgotten, secluded and a place where such hoverflies might choose to breed and develop.

Common Droneflies are known to have larva with long tails, but I am unsure about the depiction of eyes on the larva as they are not morphologically present in real specimens. If I compare the larva with photographs in the Colour Guide to Hoverfly larvae by G.E. Rotheray each are clearly showing little prolegs which are anatomically correct. The larvae use their tails as a breathing apparatus, a snorkel to get oxygen from the surface, and the illustration shows two of the larvae clearly have their tails protruding out of the water. I am unsure what the grass is at the side of the pool, but the grass and the wooden stump would be an ideal place for the larva to crawl out to pupate, before metamorphosing into an adult. What I am not seeing are any pupa from which the adult will eventually appear. I might assume that the adult on the post is drying or warming itself after pupation as there is a bright light shining upon it, as seen by the casting shadow from the lamella of the plant onto the post. Hoverflies often sit in the sun basking, to warm-up, so it would be wrong to assume that this one is freshly hatched, but it could be.

I think it’s a wonderful illustration of the Common Drone fly implying the larvae and adult lifecycle, it tells me story about the biological aspect of this species, the habitat where the larva develops. Illustrators like L.Rouyer contributed to the aesthetic dimension of natural history at a time when photography was not yet practical for scientific documentation. They would have helped entomologists distinguish between closely related species and would have appeared in much of the literature of the time. The book contains many other fascinating etchings that are worth reviewing, all from other illustrators. The next picture in the book being the metamorphosis of flesh flies (Sarcophaga carnaria), showing the maggots crawling in the breast of a dead bird and a pile of pupa to the side, with a couple of adult flies coming in to lay more eggs. There is also a wonderful etching of Clubbed general soldier fly (Stratiomys chamaeleo) all worthy of a look see links below.

Further information about the Authors:

Emile Blanchard was a French zoologist and entomologist (1819-1900)

He collaborated with another famous French naturalist Jean Victoire Audouin giving him access the laboratory of the Museum National d’Histoire Naturelle, where he later became a technician and in 1841 assistant naturalist. He published ‘Histoire des insects’ in 1845 which detailed harmful or pest species causing damage to various crops. He also argued that Charles Darwin’s pigeon studies were unscientific and therefore Darwin’s ideas about evolution false and unoriginal. In 1868 he published his book "Metamorphoses, mœurs et instincts des insects" before going blind in 1890 ten years before his death at the age of 80.

Credit: A. Féret / P. Petit - Wellcome Collection gallery (2018-03-29): https://wellcomecollection.org/works/ag9v5j7m 

Peter Martin Duncan F.R.S (1821 – 1891)

Born in Twickenham in 1821, he was educated in England and Switzerland before becoming an apprentice of medicine in London. He qualified as a medical practitioner and took over a practice in Colchester where he was mayor twice, 1857 for two terms. His scientific work includes papers on corals and sea urchins, and he was a prominent archaeologist as well as researcher in paleontology and geology. But in relation to this blog, he was instrumental in the adaptation for English readers of Emile Blanchard’s book published (1882) when he was professor of Geology at Kings College London. He translated E. Blanchard’s book and included other works from Charles Darwin and George Newport amongst other eminent naturalists/scientists of the time. He died in 1891 after a period of ill health.

This below is the replicated picture for the book by Peter Martin Duncan.

If anyone knows why the illustrator name was removed for the English version, please comment below.

This is plate from the Adapted English version of the book by Emile Blanchard

References

https://en.wikipedia.org/wiki/%C3%89mile_Blanchard

https://www.biodiversitylibrary.org/item/132913#page/5/mode/1up

https://gallica.bnf.fr/ark:/12148/bpt6k200747k/f688.item

https://wellcomecollection.org/works/km3uczhf

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